Показаны сообщения с ярлыком author's prose. Показать все сообщения
Показаны сообщения с ярлыком author's prose. Показать все сообщения

понедельник, 19 января 2026 г.

The "Clothes of Hope" Trilogy. Story One: The Dress Suit

The bell above the door chimed dryly, not melodically, as if someone had coughed in an empty room.

The Tailor did not raise his head. He was stitching a buttonhole on a cuff — a task requiring a steady hand and complete detachment from the outside world. The client stood at the threshold, shifting from foot to foot, breathing heavily, wheezing in the air saturated with the smell of hot iron and wool dust.

“Are you open?” asked a voice, brittle and creaky, like old parquet flooring.

The Tailor set aside his needle, removed his glasses, and only then looked at the newcomer. Standing before him was a decrepit old man, a ruin. Gray parchment skin was stretched tight over his cheekbones; his eyes held the murky moisture of fear and pain. He held onto the doorframe as if without this support he would crumble into pieces at any moment.

“That depends on why you have come,” the Tailor replied. His voice was even, devoid of professional pleasantries.

“I need a suit,” the old man took a step forward. “A three-piece. The very best.” 

“For a funeral?” the Tailor clarified as if it were the most natural thing in the world. He didn’t mean to offend the visitor. He simply knew the price of things and time. Usually, in such a condition, a suit is ordered precisely for that purpose.

The old man straightened up, and a shadow of former pride flickered in the movement. 

“No. For life. My grandson’s wedding is in six months. I promised to be there. I must... I must look dignified. The doctors say...” he stumbled, waving a bony hand. “To hell with what they say. I want Alex to remember me not as a wreck, but as a grandfather. The one who taught him to swim. Do you understand?”

The Tailor nodded slowly, walked out from behind the counter, and circled the old man. His gaze was tenacious, unpleasant. He looked not at the figure, but through it. He saw how death had already built a nest in this man’s lungs, how thin the thread binding spirit to body had become.

“I do not sew with ordinary fabric,” the Tailor said, returning to the table. “English wool will not help here. You need a different material.”

“I have money,” the old man said hurriedly, patting his chest pocket. “I’ve been saving all my life.”

The Tailor grimaced as if from a toothache. “Put away your paper scraps. They aren’t even worth the thread I will use. The material I speak of is Hope. Pure, concentrated hope that you will live to see the wedding, that you will dance at it, laugh, and drink wine.”

The old man’s eyes lit up. “Yes! Yes, that is exactly what I need! Sew it for me.”

“You do not understand,” the Tailor cut him off coldly. “Such fabric holds its shape better than any corset: once it cools, it no longer remembers what it should be. “What does that mean?” the old man became alert. “It means the shrinkage process is irreversible. The suit keeps its form on your warmth and your desire to live. If it settles, it will forget the fit and turn into a rag. If you want to look like a king at your grandson’s wedding, cherish the warmth.”

The old man laughed hoarsely and with relief. He thought the master was simply driving up the price with the capriciousness of the material. “Is that all? Afraid I’ll ruin the cut before the time comes? I won’t let a speck of dust settle on it! Sew it, master!”


The fittings were strange. The old man arrived gray and hunched, barely dragging his feet. But the moment he slipped his arms into the vest sleeves, the moment the trousers settled on his hips, he changed. The fabric was remarkable: in the light, it appeared noble dark blue, but in the shadows, it shimmered with something warm, alive, golden.

It didn’t provide warmth itself. On the contrary, the fabric seemed to greedily absorb the heat of his sick body—and from this, it became taut as steel, holding his muscles tighter than his own ligaments could.

On the day the order was ready, the old man walked out of the atelier with the springy step of a forty-year-old. He forgot his cane in the corner of the fitting room. The Tailor did not call after him. He knew the old man would no longer need the cane.

Six months flew by like a single day. The doctors threw up their hands: “A miracle, spontaneous remission.” The old man didn’t listen to them. He lived, organized the wedding, argued with the host, chose the restaurant. And he never once took off the suit. He told everyone he had taken some foolish vow, or joked that he was afraid such beauty would be stolen if he left it on a chair. His family got used to it. The main thing was that Grandpa was healthy and cheerful.

The wedding thundered for two days. The old man was magnificent. The blue suit fit impeccably, not a single crease, not a single wrinkle. He gave a toast that made even the waiters tear up. He danced the waltz with the bride, spinning her so lightly that the guests gave a standing ovation. 

Camera flashes, shouts of “Kiss!”, music, laughter—all this was the life he had hoped for. The very life the Tailor had sewn for him.


Evening settled on the city softly and quietly. The old man returned to his apartment. Music still rang in his ears, but his body suddenly felt heavy as lead. The euphoria of the celebration was receding, leaving room for silence. The apartment was stuffy.

“That’s it,” he thought, looking at himself in the hallway mirror. From the glass, a stately, ruddy man in a magnificent suit looked back. “I did it. Alex is happy. I didn’t let my grandson down.”

He wanted to loosen the knot of his tie. His neck felt constricted. “You mustn’t. You gave your word.” “Oh, come on,” the old man whispered to his reflection. “It’s all over. The party is done. I just need to rest. I’m tired.”

He undid the tie. It became easier to breathe. “It’s all nonsense,” he thought, unbuttoning the top button of the jacket. “Just good fabric. Just autosuggestion.” He took off the jacket and neatly hung it on a hanger. His back was pricked with cold, but he paid no attention.

His fingers habitually reached for the buttons of the vest. The vest fit tightly, as if grafted to his skin. First button. Second. Third. The old man pulled the vest off his shoulders.

In that same instant, his legs gave way. The sturdy stitches of hope that held the suit together came undone—and all the time the suit had been holding back from the outside crashed down on his body at once, with all its accumulated weight, in a single second.

There was no scream, no pain. Only a dry rustle. The shirt, deprived of the vest’s support, suddenly collapsed, becoming flat.

His wife, woken by the strange sound, came out into the hallway a minute later. “Honey?” she called out.

There was no one in the hallway. On the hanger hung an impeccable dark blue jacket. The trousers and snow-white shirt had settled neatly to the floor, but the person was no longer in them. Where a living man had stood just a moment ago, now, amidst the folds of fabric, a gray mound of dry ash lay mixed with a couple of blackened bones that would have crumbled from the slightest draft.

The suit had done its job. It had held its owner exactly as long as he had hoped to live. But the life inside had ended six months ago.

суббота, 27 декабря 2025 г.

PROJECT "CARABAS"

Jacques-Pierre was nobody. A miller's youngest son who inherited not the mill (assets) and not the donkey (transport/logistics), but his father's debts and a ginger cat rumored to be able to open the fridge with his paw.

Jacques sat on a worn sofa in a rented apartment on the outskirts, finishing a cheap beer.

— "So, what am I supposed to do with you?" he asked, looking at the cat. — "Turn you into a hat?" The cat, whose name was Felix, blinked slowly. Then he stood on his hind legs, adjusted a non-existent tie, and, to Jacques' horror, spoke. His voice was velvet, with the rasp of an experienced lobbyist.

— "Turning me into a hat is, monsieur, a one-time solution. Asset depreciation. I propose an investment. Buy me boots."

 — "What?" — Jacques choked.

— "Boots. Italian, handmade. And a good suit. Give me a month and a credit card, and I will make you the king of this city." "Or at least a marquis. Sounds good, eh? Marquis de Carabas." Jacques was stupid, but greedy. He took out a microloan.

STAGE 1. BRAND CREATION (HUNTING RABBITS)

Felix didn't catch mice. He caught insider info. The "rabbits" in his game were petty officials and journalists hungry for an "exclusive". Felix (in an impeccable suit and those very crocodile skin boots) walked into the right offices. He didn't bring bribes in envelopes. He brought information and services.

— "My master, the Marquis de Carabas, asked me to pass you this modest present," he purred, leaving a folder with compromising material on the opposition on the mayor's desk.

— "Who is this Carabas?" asked the mayor, examining the photo. — "Oh, he is a very influential, but modest philanthropist. He prefers to remain in the shadows. For now." The mayor was intrigued. A man who solves problems and asks for nothing in return is a rarity.

STAGE 2. THE SCENE BY THE RIVER (ENTERING THE ELITE)

— "Undress," commanded Felix.

— "Why?" — Jacques shivered in the wind. They were standing by the embankment where the mayor's motorcade was due to pass any minute.

— "You must be naked. Naked, you look defenseless and honest. The people love victims." When the mayor's limousine pulled up alongside them, Felix screamed frantically:

— "Help! My master, the Marquis de Carabas, has been robbed! They stole everything, even his clothes! This is a political hit job!" The mayor recognized the name. He saw a "victim of the regime." A minute later, Jacques was already sitting in the armored limousine, wrapped in a blanket, while the mayor personally promised to deal with the crime. Jacques smiled stupidly. Felix sat nearby, checking stock quotes on a smartphone. The first step was taken: a nobody had gained access to the body.

STAGE 3. THE OGRE (HOSTILE TAKEOVER)

The main obstacle was a local oligarch. He owned fields, factories, newspapers, and steamships. All those lands the motorcade drove past belonged to him. Felix worked with the local workers.

— "Whose fields are these?" asked the mayor's people. — "The Marquis de Carabas's!" answered the bribed unions in unison. Felix headed to the oligarch's headquarters. It was a skyscraper of black glass. The oligarch, a huge man with a bull neck, received the Cat with mockery.

— "I've heard about you, fuzzy." "You make princes out of dirt. But I can crush you. I can turn into a lion — buy the entire city police force."

— "Oh, I don't doubt it," — Felix lit a cigarette, flicking ash onto the Persian rug. — "You are a great man." "Turning into a lion is simple. Brawn over brains. But can you... become small?"

— "What?" — "Inconspicuous. Turn into a mouse. Disappear from tax databases, erase yourself from Interpol lists, go into the shadows when the SWAT team is here tomorrow morning?" The oligarch turned pale.

— "SWAT team?"

— "The Marquis de Carabas has already handed over evidence of your embezzlements to the mayor." "You have five minutes to rewrite assets to the 'Karabas' holding and disappear. Turn into a mouse." "Or you will be put in a cage." The oligarch broke and signed the papers. He "turned into a mouse" — fled through the back door, becoming a nobody.

Felix walked out of the office and dialed Jacques' number.

— "The castle is ours. Come over."

FINALE. KNOWS TOO MUCH

A year passed. Jacques-Pierre, now officially the Marquis de Carabas, sat in a leather chair in the former oligarch's office, drinking vintage cognac. He had married the mayor’s daughter. He was at the top.

Felix entered without knocking. The Cat had aged: his fur had grayed, and weariness appeared in his eyes.

— "We did excellent work, Jacques," said the Cat. — "But it's time to expand. There's an idea regarding the neighboring kingdom..."

Jacques put down his glass and looked at the Cat. Before, he looked at him with admiration. Now — with fear. This beast knew everything. He knew the Marquis was a miller's son. Knew how they deceived the mayor. He knew where the oligarch had disappeared. As long as the Cat was alive, Jacques would never be the true master. He would just be a puppet with a hand up his ass.

— "No, Felix," said the Marquis softly. — "Enough."

— "What do you mean enough?" — the Cat's ears twitched.

— "You are tired. You need rest. Eternal rest." Jacques pressed a button under the table. The doors opened and two sturdy guys from security entered. They were not carrying milk. They were carrying a sack.

— "Jacques?" — Felix backed away. — "What are you doing? I made you! You were nobody!"

— "Exactly," — Jacques stood up. Now he seemed huge, like that very Ogre. 

— "I was nobody. And now I am the Marquis. And Marquises aren't friends with animals that can talk. It's... unnatural."

Felix hissed, tried to jump, but a stun gun strike knocked him down in mid-flight. He was stuffed into the sack.

— "Drown in the river," the Marquis tossed indifferently, examining his nails. — "And find me a dog. A purebred." "And make sure it's mute."

When the guys left with the sack, the Marquis walked to the panoramic window. The city lay at his feet.

— "I made myself," he said to his reflection. And the most terrifying thing was that he sincerely believed it.